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近些年来,看了不少好戏,尤其是地方戏曲表现现代生活的创作,有了长足的进步,早已跨越了以往那种运用戏曲唱、念、做、打的固有形式描述一段现实生活的人和事,或者宣传一种理论主张的套路,真正进入到一种戏曲艺术的美学创作之中。近日观看了陈涌泉编剧,张俊杰执导,汤其河作曲,汪荃珍领衔主演,河南豫剧三团呈现于舞台上的《风雨故园》,其由编、导、音、美通力营造的完美和谐独具特色的艺术景观,可谓近期提升了戏曲现代戏美学品格的又一优秀之作。
In recent years, I have seen quite a lot of good shows, especially the performance of local operas in modern life, which have made great strides. They have already spanned the inherent form of singing, reading, doing and playing in the past to describe a real life People and things, or publicize a set of theoretical propositions, really into a kind of aesthetics of opera art creation. Recently watched Chen Yongquan screenwriter, directed by Zhang Junjie, composer Tang Qiuhe, starring Wang Quanzhen, Henan Yu Opera three groups are presented on the stage of the “hometown of wind and rain”, which by the compilation, guide, sound, the United States to create the perfect harmony unique Art landscape, can be described as the recent drama upgrade modern aesthetics another excellent work.