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看完这个戏觉得它很好,很精美。剧作,导、表演都很成功。我同意作者的阐述,这不是一个历史剧,它所涵盖的问题超过了人物和事件本身,剧本所表现的美和丑都被推向极端。所以,这个戏象一个寓言故事,充满了哲理。这个戏具有诗意美,它写了丑恶、残暴,但不恐怖。导演、舞美也充满诗意。时空处理得好,在现在时空中叠印过去,在人物语言动作的一瞬间,不知不觉时空已转变了。不足之处是总体来讲导演理念东西过多,过分强调美丑对比。
After reading this play it is very good, very beautiful. Drama, guide, performance are very successful. I agree with the author’s statement that this is not a historical play. It covers issues beyond the characters and the events themselves, and the beauty and ugliness shown in the script is pushed to the extreme. Therefore, this portrait is a fable, full of philosophy. The play has poetic beauty, it writes ugly, brutal, but not terrifying. Director, Wu Mei is also full of poetry. Time and space handled well, in the present time and space over the past, the moment in the language of the characters, unknowingly time and space have changed. The downside is that in general the director idea too much, too much emphasis on beauty and ugliness contrast.