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1957年至1965年之间,中国产生了一批反映当时各民族社会历史形态,被称为“中国少数民族社会历史科学纪录片”的影片。不论是影片的拍摄,还是影片完成之后的传播,以及关于影片的研究,扮演都是争论的焦点,认为拍摄过程中使用的扮演方法导致了影片真实性的丧失。本文将从影片的科学属性、民族学研究属性、影片的表述方式等方面,提出相反的观点,即该批影片拍摄过程中使用的扮演方法和成片中影像真实性之间并不存在矛盾,扮演也不是影像真实性消失的直接原因。
Between 1957 and 1965, China produced a series of films that reflected the social and historical forms of various ethnic groups at that time and were called “the scientific documentary of social history of ethnic minorities in China.” The filming, the dissemination after the completion of the film, and the research on the film are all the focuses of the debate. They think that the method of playing used in the filming process leads to the loss of the authenticity of the film. This article will put forward the opposite viewpoints from the scientific attribute, the ethnographic research attribute and the way of expression of the film, that is, there is no contradiction between the playing method and the authenticity of the film in the filming process, Nor is the direct reason why the authenticity of the image disappears.