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在中国电影整整百年的历史进程中,也许最有影响、也最有代表性的类型影片,就是社会伦理片。我们可以发现,自郑正秋始,至蔡楚生,再到新中国以谢晋为代表的主流中国电影,都行走在这一道路上。1913年,中国最早诞生的两部故事影片《难夫难妻》和《庄子试妻》,主要讲述的就是以夫妻关系为代表的家庭伦理。到1923年,在关乎中国电影前进还是衰退的关键时刻,郑正秋煞费苦心地编写了一部从片名到内容都
In the course of a century-long history of Chinese film, perhaps the most influential and representative type of film is social ethics. We can see that all mainstream Chinese films represented by Xie Jin since the beginning of Zheng Zhengqiu to Cai Chusheng and then to New China all walk on this road. In 1913, the earliest two story films in China, “Difficult Woman and Difficult Woman” and “Chuang Tzu’s Wife”, mainly talked about family ethics represented by the relationship between husband and wife. By 1923, at a critical moment concerning the progress or decline of Chinese films, Zheng Zhengqiu painstakingly compiled a book