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在这幅画里,我们见到的是坐在一条长凳上的圣母,她身后的背景亲切迷人:天气温和而晴朗,我们甚至能够看得清远处的群山,融入在浅蓝色的天际。右边的几丛灌木把我们的目光引向山顶的一座小教堂,这使我们意识到这位年轻的母亲和她的婴儿不是世俗凡人。他们头上的光圈是表示他们神圣的唯一标志。拉斐尔不需要用更多的类似手法来刻画他的人物,他把这位年轻母亲的甜美和耽于梦想的脸描绘得那么温柔动人,我们一眼就能认出她是圣母。事实上,当我们说那个可爱的女孩子看上去象圣母一般,
In this picture, we see the Virgin sitting on a bench, the background behind her is warm and charming: the weather is mild and sunny, and we can even see the mountains in the distance and blend in the light blue sky . The bush on the right led us to a small church on the top of the hill, which made us realize that the young mother and her baby were not secular mortals. The iris on their heads is the only sign of their sacredness. Rafael does not need to describe his character in a more similar way. He plots the sweet and dreamlike face of this young mother so gently and vividly that we recognize her as Madonna at a glance. In fact, when we say that cute girl looks like the Virgin,