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梦穿越,是当下的主题词。而穿越,也是中国风的主流表现形式。它源于现实又超越现矣,可以参与又充满幻象,与现实本身形成迥异的风景,记录与表达的是创作者的所思所想与同代人的集体记忆。我们不是想遗忘历史,我们只是想遗忘现实。摄影师的话创作中国风照片,首先在画面形式上得有那个味儿。在前期准备方面,我们参考了一些资料和前辈们的意见,以达到视觉上的准确性。在画面控制上,用光和模特仪态都要配合后期的数码特效,这样人物才可以更好地融入画面。风格调性方面,利用人物与古画的结合,加入性感的元素,以油画的调性表现出鲜明的中西对比,表达了中国式审美“兼容并包”的态度。这次拍摄,题材和造型方面还不够大胆。在题材方面,我更想突出对传统的颠覆,不过现阶段还是跟着传统走吧。在造型方面,尽量从简,前期想过加入更多的元素,但是考虑到画面不宜太复杂,就减掉了一些东西。也许我在以后的作品中会尝试更多,不仅是审美上的兼容,还有各民族风格的兼容。
Dream through, is the current theme. The cross, is also the mainstream of Chinese style manifestations. It stems from the reality and beyond the present, can participate in and full of illusions, with the reality itself form a very different landscape, record and expression is the creators of the thoughts and collective memories of contemporary people. We do not mean to forget history, we just want to forget reality. Chinese photographer’s picture of the creation of the wind, the first form of the screen have that taste. In the preparation of the earlier period, we made reference to some information and the opinions of our predecessors in order to achieve the visual accuracy. In the picture control, with light and model appearances should be combined with the latter part of the digital effects, so that people can better integrate into the picture. In the aspect of style and tonality, using the combination of figures and ancient paintings, adding the sensual elements, the Chinese tonal contrasts with the tonal characteristics of oil painting, expressing the Chinese aesthetic attitude of “compatibility and inclusion”. The filming, themes and styling is not enough bold. In the subject matter, I would like to highlight the subversion of the traditional, but still follow the traditional stage go. In terms of styling, as simple as possible, the previous thought of adding more elements, but taking into account the screen should not be too complicated, they lost something. Maybe I will try more in later works, not only for aesthetic compatibility, but also for the compatibility of different ethnic styles.