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刘勰的《文心雕龙》以知音作为鉴赏论的主题,感叹“古来知音,多贱同而思古”瞧不起同代人的作品,贵古贱今,舍近求远。因而知音难逢。最近看到海峡文艺出版社推出陈维敏的《艺坛赏花记》,心头一亮,这不就是同代人“贵今求近”的知音吗!陈维敏在书中满腔热情地品评了逾百部的剧目,其中除少量中外名著的赏析,新剧作达80部之多。全书贯串着时代风云,象是福建改革开放10年后剧坛的一面镜子。
Liu Xie’s “Wen Xin Diao Long” with the Aphrodisiac as the theme of appreciation theory, sigh “ancient reputation, more cheap and think of ancient” despise the works of the same generation, you ancient and modern, far away. So know the sound of every chance. Recently saw the Channel Arts Publishing House launched Chen Weimin’s “Art Flower”, mind, this is not the same generation “Guizhitaojin” you know! Chen Weimin passionately in the book more than a hundred Of the repertoire, which in addition to a small amount of appreciation of Chinese and foreign celebrities, as many as 80 new plays. The book runs through the times, like a mirror of the theater 10 years after the reform and opening up in Fujian.