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大作曲家哈恰图良十分欣赏并这样赞美中提琴,“中提琴是声音很美,很有效果,风格独特的乐器。它的声音有某种女性的温柔、可爱、抒情……它的表现力非常丰富,绝对地无所不能。从充满魅力的沁人心脾的抒情到高亢激昂,甚至威武雄壮的音响,都能演奏出来。”然而,事实上它却是“长期以来当代乐队里最不走运的乐器。其原因一方面是作曲家一点儿也不努力去发展中声部,其次是他们固执地不愿发现中提琴所固有的优良品质。”“而中提琴演奏曲目又相当少,不可能使中提琴独奏家的演奏活动充分开展。”这使得中提琴很少有机会作为独奏乐器单独出来被大家认识并了解。因此,在音乐的舞台上,和小提琴长相颇为相似的中提琴便常常被淹没在中声部的丰满和声里。
The great composer Ha Qiaoliang admired and admired the viola so much, “The viola is a beautiful, very effective and uniquely styled musical instrument whose voice has some kind of feminine tenderness, adorable, lyrical ... its expression is extraordinary Rich and absolutely omnipotent, from the charming and refreshing lyricism to the high-pitched, even the magnificent sound. ”However, in fact it is“ the most unhappy musical instrument in the contemporary band. ” The reason is that on the one hand, the composers are not trying to develop the middle part at all, and secondly, they are stubbornly reluctant to find the fine qualities inherent in the viola. “” And the viola’s playing track is quite small, making it impossible for the viola’s The performance is fully performed. "This leaves the viola as a solo instrument with few opportunities to be known and understood by all. Therefore, on the stage of music, the viola that resembles the violin is often submerged in the full harmony of the middle part.