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本文主要论述了形体性动作在戏剧表演中的重要性,结合自己在学习表演过程当中遇到的一些实际性的问题进行系统的阐述。目的在于帮助同学们在塑造角色的同时更加生动形象动作是表演时的两大支柱之一。然而,大多数同学们在表演过程当中往往轻视了形体性动作的表达,令观众感觉演员仅仅是在对台词,表情僵硬、刻板。戏剧演员不仅要掌握专业,同时更要进行长期的实践,必须用效果检验,观众注重最终的演出效果,演员除了对掌握剧本的时代背景、主题思想、剧本线索、人物性格这些必要条件的之外,同时更要注重表情细节的表现,换句话说,通过一些外部的添加,让整个人显得更加优雅,不仅要构思人的面容、体态、穿戴打扮以及特征性习惯性的面部表情、眼神、手势、举止、动作、声音造型、习惯语调等等属于“形”的部分,还要注重人的气质、风度、神采或风貌等能体现角色神情状态和精神面貌的“神”的部分。
This article mainly discusses the importance of the physical movement in theatrical performances, and expounds systematically the practical problems it encounters during the process of learning and performing. The purpose is to help students form a character while at the same time more vivid action is one of the two pillars of performance. However, most of the students often underestimate the expression of physical movement during the performance process, making the audience feel that the performer is only rigid in his speech and rigid in expression. Drama actors not only have to master the profession, but also to conduct long-term practice, you must use the test results, the audience focus on the final performance, the actors in addition to master the background of the script, theme, script clues, personality outside these conditions , But also pay more attention to the details of the expression of the performance, in other words, through some external addition, so that the whole person is more elegant, not only to conceive of the human face, body posture, dress up and characteristic habitual facial expressions, eyes, gestures , Manners, movements, sound modeling, custom intonation and so on belong to “shape ” part, but also pay attention to the person’s temperament, demeanor, look or style can reflect the role of the state of mind and spirit of the “God ” part .