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在长期的发展之中汉字逐渐摆脱了自然意象的束缚演变成为一种高度抽象的特色文字符号,我国的书法艺术是在文字的基础上发展而来的,书法艺术与抽象绘画在本质上十分相似,与常规的绘画艺术相比书法少了一些色彩光影的处理,而对于走笔也就是线条的组合和画面分割要求比较高。书法具有其独特的语境和艺术变现形式,个体对于书法语境理解的差异也会表现在书写风格上。本文创新了书法艺术的研究视角,就书法语言的语境和艺术表现力进行了分析,希望可以为我国书法艺术的继承与发展提供借鉴。
In the long-term development, Chinese characters gradually get rid of the bondage of natural images and evolve into a highly abstract character symbol. Chinese calligraphy art developed from the foundation of words. Calligraphy art and abstract painting are essentially similar Compared with the conventional painting art, calligraphy lacks some color light and shadow processing, and for the pen is the combination of lines and screen segmentation requirements are relatively high. Calligraphy has its unique context and art forms of realization, individual differences in the understanding of calligraphy context will also be reflected in the writing style. This paper innovates the research perspective of calligraphy, analyzes the context and artistic expression of calligraphic language, and hopes to provide reference for the inheritance and development of calligraphy in our country.