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碎片化、零散化与平面化的倾向长驱直入,制造出某种中国版的后现代主义。这种内心不可能承接大问题、大时代、大思考。但在这个时代,一种思想观念的倡导,数百亿资金的流向,支持某些行业同时抑制另一些行业,规划一个区域的政治经济面貌,诸如此类的重大问题从来不缺乏它们的真正主人。在一个消费主义甚嚣尘上的土壤里,文学与文化愈发处于边缘化地位,而以消费为特征的流行文学的兴起,更让公共参与意识越来越淡出写作者与读者的视线。但文学从
Fragmentation, fragmentation and the tendency of planarization go straight to create some kind of Chinese version of postmodernism. This heart can not undertake major problems, big times, big thinking. However, in this era, the advocacy of a kind of ideology and concepts, the flow of tens of billions of funds, the support of certain industries while suppressing others and the planning of the political and economic landscape of a region have never lacks their true masters. In a world where consumerism is rampant, literature and culture are increasingly marginalized. The rise of popular literature characterized by consumption has made the sense of public participation more and more fainter than that of writers and readers. But literature from