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咏歌是咏唱、咏赞和歌颂,讴歌之意;批判是遇仇敌批而杀之、遇患难批惠折难而加判决。咏歌重于情,批判重于意。两者不属同一范畴,但有相通之处。1949～1973年,毛泽东写的诗填的词,蕴含着咪歌与批判两道母题。当然,这两道母题在这一时段并非同时出现,而以1959年6月25日的《七律·登庐山》为界碑。之前为咪歌的抒写,之后为批判的呐喊。毛泽东的诗词,基本上是与他的政治路线图和实施原则捆绑在一起的。
Chant song is the chant, chanting and praise, praising song meaning; Criticism is the case of enemy battles and killed, in case of difficulties difficult to adjudicate. Chant song heavier than love, critically important. The two are not in the same category, but there are similarities. From 1949 to 1973, the poem filled in by Mao Zedong contained the motif of both singing and criticizing. Of course, these two mottoes did not appear at the same time during this period, but were bound by the “Seven-Law · Deng-Lushan Mountain” on June 25, 1959. Before the microphone song writing, after the cry for criticism. Mao’s poetry is essentially tied to his political road map and implementation principles.