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中国画如何现代化?回答这个问题不容易,这个问题的实践更不容易。画家赵振川就长安画派创始人和奠基者赵望云,在实践层面上对这一问题的回答,做了较为深入的辩析。今天,“淡雅”离我们的艺术、生活,以及人格的追求,似乎都已经太远了,王大濛却在内心里以一种永葆童真的性情来享受着这种品质。今日中国雕塑界的实况就像一锅永远煮不开的水——活动搞得很热火,对问题症结的认识却难有质的整体飞跃,甚至学术性的探讨都是那么冷清。本期我们专门邀请了三位在实践上和思想上都很有深度的雕塑家,先就他们自己的创作来谈谈心得。
How to Modernize Chinese Painting? It is not easy to answer this question. The practice of this question is even more difficult. Zhao Zhenchuan painter Zhao Changyun Chang’an Painting School founder and founder, in practice, the answer to this question, made a more in-depth analysis. It seems too far away from the pursuit of art, life, and personality that “elegantness” has today. However, Wang Da-ming enjoys it in his heart in a way that always keeps his innocence. The scene of the Chinese sculpture industry today is like a pot of water that can not be boiled forever - the activities are very hot and the understanding of the crux of the problem is hardly an overall qualitative leap forward. Even the academic discussions are so lonely. In this installment, we have invited three sculptors who are both practical and ideologically advanced to discuss their own experiences first.