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我们尽力以策划一次主题性展览的要求和思路来做这期专题。我们不能自大地说,所有“参展”的艺术家都是最好的,但他们富于个性的创造以及关乎现实生存的走势,他们对一切新鲜事物的敏感,他们对日常生活话语的自觉运用,他们还艺术于社会,还艺术于人民的朴素而内在的冲动,至少应该是所有批判家及策展人都无法回避和逾越的。在他们因坚持自己的姿态而被打入“另册”的过程中,他们或许并没有意识到自己不仅仅是个“反叛者”,而且还是“新的预言家”,所有目光敏锐的批评家都应该为他们所感动并看到他们预示给我们的种种端倪。
We do our best to plan the theme of the exhibition’s requirements and ideas to do this issue. We can not arrogantly say that all the artists participating in the exhibition are the best, but their personal creation and trends related to real life, their sensitivity to all new things, their conscious use of the discourse of daily life, their At the same time, the simple and intrinsic urge of art to society and art to the people should at least be unavoidable and transgressive by all critics and curators. While they are being “booked” by insisting on their own gestures, they may not realize that they are not merely “rebels” but also “new prophets,” and all critics with sharp eyes should Touched by them and saw the clues they gave us.