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看了《黄土地》,感到新鲜而又不满足。影片底蕴深沉、色彩凝重的格调使人耳目一新。力求以琐屑景物、细致动态(而不是凭借大段语言)的着意刻画来塑造人物形象是这部影片尤为突出的、成功的表现手法。木桶里浑浊的河水、灶台上跳跃的火苗、窗格上累累的“补巴”,犁尖下翻卷的土块、手捧的粗瓷饭碗、祈雨乡民的脊梁、摇天撼地的鼓点……,一个个镜头刻骨铭心。翠巧模糊的侧影、翠巧爹呆滞的面孔、憨憨突然间的引吭高唱、出自翠巧爹之口的“酸曲儿”……,更是庄户人心田里嚏涌的情感的洪流。
Read the “yellow land”, feel fresh but not satisfied. Deep inside story, dignified color dignified refreshing. Striving for portrayal of portraits in trivial scenes and meticulous portrayals (rather than large-scale languages) is the most prominent and successful expression of this film. The muddy water in the barrels, the leaping flame on the cooktop, the “ba ba” planted on the panes, the clods curling up under the plow tip, the thick porcelain rice bowls in hand, Drums ... ..., one by one unforgettable shots. Cuiqiao fuzzy silhouette, Cui Qiao Daddy dull faces, Han Han suddenly sing and sing, from Cui Qiao father’s mouth, “sour song” ..., it is the Zhuangren heart sneezing the torrent of emotion .