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福楼拜的现实主义已经完全不同于19世纪司汤达和巴尔扎克的现实主义。19世纪自然主义的代表作家左拉认为福楼拜是“自然主义之父”;而20世纪的法国“新小说”派又把他称为“鼻祖”。本文以福楼拜小说所蕴含的自然主义特点和现代主义特点为切入点,从“客观而无动于衷”、“科学化的材料收集”、“故事性的消解”、“神话模式的运用”等方面探讨福楼拜小说对现实主义创作技巧的超越。
Flaubert’s realism is completely different from 19th-century Stendhal and Balzac’s realism. Zola, the 19th-century representative of naturalism, thinks Flaubert is “the father of naturalism”; in the 20th century, France’s “new novel” calls him the “originator.” Based on the characteristics of naturalism and modernism contained in the novels of Flaubert, this essay starts from “objectively indifferent”, “scientific material collection”, “story digestion” and “ The use of myth model ”and other aspects of Beverly novels to surpass the creative techniques of realism.