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罗怀臻先生的文章是他在佛山“当代戏剧之命运”研讨会上的发言基础上写成的。他的要求戏剧与时代一起前进的基本思想我是同意的。更何况在他的“地方戏剧都市化”的理念的支持下创作了淮剧《金龙与蜉蝣》这样的优秀剧目。但读了文章之后,倒觉得还是可以谈一点自己的不同看法。比如,我就不赞成他对20世纪“80年代戏剧”的那句概括性评述。罗先生说: “如果说80年代是一个‘解构’的时期,那么90年
Mr. Luo Huai-zhen’s essay was based on his presentation at the Foshan Symposium on the Fate of Contemporary Drama. I agree with the basic idea that he demands that drama go forward with the times. Not to mention the creation of the excellent repertoire of the Huai drama “The Golden Dragon and the Wagtail” under the support of his concept of “local drama urbanization.” But after reading the article, I still feel that I can talk about my own different views. For example, I would not agree with his general comment on the phrase “drama of the 80s” in the twentieth century. Mr. Luo said: "If the 1980s was a period of ’deconstruction’, then 90 years