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我们应该学习纪实的思路与手法,但一定不要把纪实本身变成一种套路。换句话说,要用自己的方式拍摄有特色的纪实影像,而不是盲目追赶流行的纪实影像。我们现在对纪实的理解有很多偏差,比如强调的往往是全时段的抓拍、全视角的观察、全片段的堆积等。这意味着忽略了纪实风格产生的客观基础与其背后所代表的影像理念,仅仅将其处理为“技术手法”。这样的拍摄必然导致“伪纪实”的产生。所谓的伪纪实正是借纪实手法之名,依靠合理想象来虚构一个类似现实的场景、情节发展与细节,以达到近乎真切的画面效果。这种手法本身倒也无可厚非。但是目前的问题在于我们对此的过度应用与无限推广。
We should learn the thoughts and techniques of documentaries, but we must not turn the documentary itself into a routine. In other words, use your own way of filing a distinctive documentary, rather than blindly chasing popular documentary images. We now have a lot of deviations in the understanding of documentary, such as the emphasis is often the capture of full-time, full-angle observation, the whole fragment of accumulation. This means ignoring the objective foundation of the documentary style and the image concept behind it, and only treating it as a “technique”. This filming will inevitably lead to “pseudo-record ” generation. The so-called pseudo-real record is the real name of documentary practice, relying on a reasonable imagination to fictitiously resemble a realistic scenario, plot development and details, in order to achieve near-real picture effect. This approach itself is understandable. However, the current problem lies in our excessive application and unlimited promotion of this.