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北京麦勒画廊GALERIE URS MEILE,BEIJING 2016.9.3-2016.10.16踏入“无效生产”的展厅,观者就同由高低起伏的密集黑色几何体所构成的物质群落直面相遇,这些物质形状明确、清晰甚至带有某种质朴的拙顿感。乍看之下,这些作品由于其数量、体量以及较为统一的质感,与大工业生产系统下的批量产物并无二致,甚至黑色的外形加重了这些作品本身的工业感,但在近距离的观察之后,人们便会发现这些作品在材质以及内部结构上的种种变化。这种不规律的变化特性在《侵蚀》之中体现得尤为明显:高大的长方体以阵列的形式聚合式地排布于狭长的空间之中,而这些由聚丙烯泡沫构成
Beijing Mile Gallery GALERIE URS MEILE, BEIJING 2016.9.3-2016.10.16 Into the “ineffective production” of the exhibition hall, the viewer meets with the material community formed by dense black geometric ups and downs of the face, the shape of these materials is clear , Clear and even with some rustic humble feeling. At first glance, these works, due to their quantity, mass and uniform texture, are not different from the mass products under the system of large industrial production. Even the black shape aggravates the industrial sense of the work itself. However, at close range After the observation, people will find these works in the material and internal structure of the variety. This erratic characteristic of variation is particularly evident in “erosion”: tall cuboids are arranged in an arrayed manner in narrow spaces in the form of an array of polypropylene foams