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中国的美术批评家,现在已经发展出了第四代。而横跨这四代人,且至今还活跃在前台的人物,非贾方舟莫属。算起来,贾方舟现在已是年逾七十的人了,可他却丝毫没有倚老卖老的暮气,依旧挺身腰板,冲锋在前,为中国当代艺术的发展鞍前马后地操劳、忙碌。这种“老骥伏枥,志在千里”(三国·曹操《步出夏门行》)的精神,
Chinese art critics have now developed their fourth generation. And across these four generations, and still active in the foreground of the character, none other than non-Jia Fang Zhou. Forget it, Jia Fangzhou is now more than seventy people, but he did not rely on the veteran old twilight, still stand back, charge in front of the development of Chinese contemporary art saddle saddle toe, busy. This kind of “old man stable, aimed thousands of miles” (“Three Kingdoms Cao Cao” step out of the summer door ") spirit,