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雪松的气势真实的心境刘友坚的琉球朴盆景《雪松画意》,很有百年雪松的气势,大枝下飘,中枝平伸,树梢向上。从照图上看,树相尚未成型,不论冠部或层次,还处于培育期,有待粗壮与茂密,但它的趣味和神韵,已显示了出来;尤其是站在实物前面,这种感觉更明显。它的基部,不可谓不大,而树梢,又不可谓不小,但却能灵气贯通,意脉相连,浩然之气,拔地冲天。在盆景技艺上,侧枝(层次)的去留修剪,忌讳对生平展,口语叫“扁担枝”;主张互生参差,以力求动感,避免呆相。而这棵树的层次,认真看似乎就犯了这个大
Cedar’s imposing real state of mind Liu Youjian’s Ryukyu Park Bonsai “cedar painted meaning,” a hundred years of cedar momentum, the big branch floating, stretching branches in the branches, the treetops up. From the photo view, the tree phase has not yet formed, regardless of the crown or level, still in the incubation period, to be robust and dense, but its fun and charm, has been shown; especially in front of physical, this feeling more obvious. Its base, can not be underestimated, while the treetops, it can not but small, but it can Reiki, meaning pulse connected, awe-inspiring, pull the sky. In the art of bonsai, the side branches (levels) to leave and trim, taboo on the exhibition of life, spoken language is called “Bianzhu sticks”; advocate alternate, in pursuit of dynamic, to avoid being in disguise. The level of this tree, seriously, seems guilty of this big