论文部分内容阅读
“自古书画本相通,首在精神次在功。悟得梅兰腕下趣,指上自然有清风。”这是郑板桥对自己书画的夫子自况。三百年后,著名书法家、摄影家杨再春将郑板桥引为知己,将这首诗以自己最擅长的行草书法制成条幅以自勉。观乎杨再春的书法与摄影,也就会对郑板桥的夫子自况心领神会,尤其是其书法,一点一线,一撇一捺,凝聚了毕生心血,以及一世的坎坷、奋争、对命运的不屈与热爱。书如其人,于今始信。
“Since ancient times, calligraphy and painting, the first in the spirit of the times in the merit .Wu Meilan wrist fun, refers to the natural breeze.” This is Zheng Banqiao own painting and calligraphy self-sufficiency. Three hundred years later, the famous calligrapher and photographer Yang Zaichun drew Zheng Banqiao as his confidant, and made this piece of poetry self-encouragement with his best cursive calligraphy. The Yang calligraphy and photography of Yang Zuochun will also give a good impression on Master Zheng Banqiao, especially his calligraphy, a little bit of line, a write-off, a life-long effort, and a ups and downs, struggle, and fate Unyielding and loving. As the book, in the beginning of this letter.