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近十年来,伴随着“开放”而进的西方文化,在中国文化艺术领域激起了层层涟漪,一部分文化人逐渐把探寻的目光从外部世界转向了内部世界,偏重于考察本民族自身的物质、精神构成状态,特别是精神构成状态,试图通过对社会结构、社会文化心理纵深层积的审视、反思、批判,挖掘和疗治至今仍沉藏于我们民族肌体中的痼疾,于是便出现了所谓的“文化热”。作为文化现象的重要成分和载体的文学,自然也难以躲避这种严厉无情的剖析、内省,不得不在审美和道德两方面对自己两个多年的存在价值作出回答和申辩。一九八四年前后中国古代文
In the past ten years, the western culture with “opening up” has stirred layers of ripples in the field of Chinese culture and art. Some of the cultural people have gradually shifted their attention from the external world to the internal world, with emphasis on examining the own nationality Material and spiritual constitutional state, especially spiritual constitutional state, trying to reconsider, criticize, excavate and cure the chronic diseases still hidden in the body of our nation through the deep stratification of social structure and social and cultural psychology, The so-called “cultural fever.” As an important component of cultural phenomena and the carrier of literature, it is naturally difficult to avoid such a harsh analysis and introspection. It has to answer and defend its own two years’ worth of existence in the aspects of aesthetics and morality. Chinese ancient writings around 1984