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Q《收藏与投资》:您可以说是当代水墨的领军人物,您对传统水墨、现代水墨、当代水墨的概念都是如何界定的?您觉得现代水墨与当代水墨是否是对传统水墨的创新,这种创新目前看来对于水墨艺术的发展是否有推动作用?A张正民:从上世纪80年代到现在,中国艺术的确发生了很大的变化,对每一个阶段发生的变化进行梳理,要找出一个合理的方法。如西方艺术史上前印象派、后印象派之分,你现在觉得那不是问题,但当时的观众未必这样认为。传统水墨、现代水墨、当代水墨,来对应
Q “Collection and Investment”: You can be said to be the leader of contemporary ink painting. How do you define the concepts of traditional ink painting, modern ink painting and contemporary ink painting? Do you think whether modern ink painting and contemporary ink painting are the innovations of traditional ink painting, Zhang Zhengmin: From the 1980s to the present, Chinese art has undergone tremendous changes. It is necessary to sort out the changes that have taken place in each stage. We must find out whether this kind of innovation has a positive effect on the development of ink art. A reasonable way. For example, in the history of Western art, the former Impressionists and Post-Impressionists think that it is not a problem now, but the viewers at that time do not necessarily think so. Traditional ink, modern ink, contemporary ink, to correspond