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在过去战斗频繁的岁月里,为了配合当时部队的中心任务,我们部队各宣传队都曾广泛演出过“白毛女”、“赤叶河”、“血泪仇”等新歌剧,对部队的政治思想教育起了难于估量的作用。自全国大陆解放后,我们把这样的“戏”带进了城市,也曾给城市的人民留下了深刻的印象。可惜的是在新的形势下,新歌剧不但没有健康地成长,反而逐渐消沉下去了!它在各地方和部队里,甚至从小到无了(当然它受到阻碍的原因很多,这些问题在此暂且不谈)。继之而起的“歌”、“舞”在部队盛行。几年来我们部队文艺工作者在这方面也曾做出了一些成绩,在一定时期也获得了军官和士兵的好评。可是战
In the past years of frequent fighting, in order to tie in with the central task of the armed forces of the time, all the propaganda teams in our armed forces have performed a wide range of new operas such as “White-Haired Girl,” “Cheyrup River,” and “Blood and Tears.” Ideological education played an invaluable role. Since the liberation of the mainland, we have brought such a “drama” to the city and left a deep impression on the people in the city. Unfortunately, under the new situation, the new opera has not only failed to grow healthy but has gradually diminished. It has been in various places and units, even from childhood (although it has been hindered for many reasons, Not to mention). The ensuing “song”, “dance” prevailed in the armed forces. In recent years, our force literary and art workers also made some achievements in this respect, and at certain periods they also won the praise of officers and soldiers. But war