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在现在这个时间点上,回头来看,当代艺术市场的启动,也不过才十来年的时间。在上世纪八九十年代,后来声名显赫的当代艺术F4等人也不过是不安分的艺术青年,日后屡创天价的作品在当时并无市场;即使到2000年左右,在外部资本的关注下已经有了起色的当代艺术的市场,低迷还是常态;但2005年至2008年,中国当代艺术行情迅速开始启动,成交总额逐年呈爆炸式增长;在2009年短暂的回档与调整之后,2010年至今,市场又有一波新的行情。香港苏富比春拍历来被看作是市场的风向标。2012年4月初的香港苏富比中国当代艺术春拍吸引了众多的眼球,这次拍卖有天价,有赔本,有流拍,亦有600万的“新势力”——这些都是市场的表象,如何透过表象了解到当代艺术市场的背后所蕴藏的趋势?本刊为此专访了长期关注中国当代艺术市场发展的赵孝萱博士。
At this point in time, looking back, the start-up of the contemporary art market is no more than ten years old. In the 1980s and 1990s, the later prominent contemporary art, F4 and others, was no more than an uneasy art youth. Later works with high celebrity prices did not have a market at that time. Even around 2000, with the concern of external capital already With the improvement of the market for contemporary art, the downturn is still the norm. However, from 2005 to 2008, the market for Chinese contemporary art started to start rapidly and the total volume of transactions has exploded year after year. After a brief retreading and adjustment in 2009, , The market has a wave of new market. Hong Kong Sotheby’s Spring Auction has always been seen as a market benchmark. In early April 2012, the Sotheby’s Hong Kong Chinese Contemporary Art Spring Auction attracted a great deal of attention. This auction has high prices, no loss of money, no streaming, and 6 million “new forces.” These are markets How to find out the trend behind the contemporary art market through its appearance? This journal interviewed Dr. Zhao Xiaoxuan who has long been concerned about the development of the Chinese contemporary art market.