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我是很钟情写意花卉飞鸟画的,自学习年代起常执笔施彩在宣纸上随意涂抹。见鸟的飞翔、扑打翅翼美丽的弧线,情不自禁想立即描绘。后见一些宗师的佳作,知道水墨表现既来自自然的原型、又不同于自然本来面目,其中的凝练,超脱和想象更为见得重要;如徐渭的逸气,八大的怪异、吴昌硕的挥洒,齐白石的顽拙,可谓花鸟画叶的典范,占尽了各派各路的特色和佳品,唯虚谷的孤傲和任颐的灵气把花鸟画尽善尽美推到了极致,让后人仰而生畏。我自学画花卉以来常得前人画品益处,观他们的成功而不弃自己的努力,而且知道要得
I am very fond of freehand painting of flowers and birds, self-learning chic often painted on the Xuan paper arbitrarily applied. See the flight of birds, flutter wing wings beautiful arc, can not help but want to immediately depict. After seeing some master masterpieces, I know that ink performance both from the prototype of nature, but also different from the natural appearance, of which the concise, detached and imagined even more important; such as Xu Wei’s arrogance, the eight weird, Wuchang Shuo’s sway, Qi Baishi Of the stupid, can be described as a model of flowers and birds painting leaves, make up the characteristics of various factions and Jiapin, Allegorical vain and Ren Yi’s aura to the perfection of birds and flowers pushed to the extreme, so descendants daunting. I often get the benefit of the art of painting since I studied painting flowers. I see their success without losing my efforts, and I know