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书如其人,画也一样,观人知画,观画知人。画为心相。六朝以前画尚内美,古法内含,观者观画悟理各得法门。五代及宋,如荆、关、董、巨,始备六法。今人耽于技法,极力彰显外美,世智聪明中透露出的是心计与机巧。周秦以前书画朴素,象形即是;唐代从壁画和少量遗存看,以重彩胜;北宋重法度;元人尚写意;明人因为生宣的大量使用,开墨戏之风;清代四王四僧并存,复古创新并行。国画家学习、创作必然有着它的过程,这个过程有四:一是临古识理,二是应照自然,三是反观自心,四是心画交融。此四者,缺一不可。
Books such as its people, painting is the same, the concept of people know painting, painting people. Painted as the heart phase. Before the Six Dynasties paintings still in the United States, the ancient law included, the viewer painting Wu Li each have their own way. The Five Dynasties and Song, such as Jing, Guan, Dong, giant, prepared six. Today people indulge in techniques, strongly highlight the United States and the United States, wise wise revealed in the mind and ingenuity. Before Zhou dynasty, calligraphy and painting were simple and pictographic, that is, the Tang dynasty looked from murals and a few relics, Wang Si monks co-exist, retro innovation in parallel. Chinese painter learning, creation must have its own process, this process has four: one is the ancient wisdom, and the second is to take care of nature, the third is self-centered, and fourth is the blending of mind and painting. The four are indispensable.