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本文对钢琴演奏舞台上忘谱的问题进行分析,给出在钢琴练习时运用“口诵心惟”方法的两点建议,力求给钢琴演奏者提供有益的帮助。
This article analyzes the problem of forgotten spectrum on the stage of piano performance and gives two suggestions on how to use the method of “reciting the heart and soul” during piano practice, so as to provide useful help to the pianist.