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(节选自《裂变与震颤--东北当代艺术的进程》)这是从顾振清和杨荔的的文章《裂变与震颤——东北当代艺术的进程》中节选的一节,原文发表在《江苏画刊》1992年6月号上。那时我大学刚毕业不久,正摸索自己的创作道路,“鲁美现象”在我的学习过程中就发生在身边,这些艺术家是我的老师一辈,是我的艺术教育、所受艺术影响的很主要、很直接的一部分,从正反两方面来评估这个事情对我来说具有直接的参照意义。(尤其从批评的方面)
(Selected from “Fission and Tremor - The Process of Northeast Contemporary Art”) This is an excerpt from the article “Fission and Tremor - The Process of Northeast Contemporary Art” by Gu Zhenqing and Yang Li, originally published in “Jiangsu Pictorial ”June 1992 issue. At that time, just after I graduated from university, I was exploring the path of my own creation. The phenomenon of “Lumes Phenomenon” happened to me during my study. These artists are my teacher’s generation and my art education. The main and direct part of the artistic influence is that it is of direct reference to me to evaluate this matter in both positive and negative terms. (Especially from the point of criticism)