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上期“观点”文章《分辨率之再辨》,笔者表达了这样一个观点:当动态影像前期拍摄设备的分辨率提升到4K、6K甚至8K,影视节目制作流程已经突破了“分辨率端到端一致性”的限制。尽管前期拍摄设备已经进入了“X分辨率”的时代,但只需针对节目的播放显示终端分辨率选择合适的拍摄设备即可,没有必要追求太高的分辨率。X分辨率中的X,包括越来越多元化验室的分辨率、画幅比,以及不同的扫描方式。
In the last issue of “Viewpoint”, “Resolution of Resolutions”, the author expressed such a view: when the resolution of the pre-shooting equipment of a dynamic image is increased to 4K, 6K or even 8K, the production process of the film and television program has already exceeded the resolution of “ End-to-end consistency ”. Although the pre-shooting equipment has entered the “X-resolution” era, but only for the program playback display terminal resolution select the appropriate shooting device, there is no need to pursue too high resolution. X in X resolution, including the resolution of more and more diverse laboratories, aspect ratio, and different scanning methods.