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舞蹈偶像最突出的特点是其情境规定性,所谓情境性规定表现为人们在判断和认知某一事物时,并非首先就进入概念式的把握,而是伴随着一个并不清晰的形象。而舞蹈偶像的第二个特征是它具有性别性的类别性。另外,舞蹈偶像具有其独特的个性。但今天的世界,随着全球化时代的到来,一方面人们享受着同质化的经济带来的好处;另一方面是文化同质化对文化异质化的侵害。最后,舞蹈偶像性特征不是一个公理性特征。舞蹈偶像除了情境规定性外,还有一个特点,就是谁要是能把自己思维中的偶像不经过巫术形式直接表现出来,那么他就找到了属于自己的形式。实际上,人类的艺术思维在中国真正达到了一种完整的形态,中国艺术最突出地体现了人类思维的情境偶像性特征,在创作上追求规定情境中对于偶像的把握,这使中国艺术创作及思想表达最终的目的具有了独特的特征——意境。
The most prominent feature of dance idols is their circumstantial provisions. The so-called situational provisions show that when people judge and recognize something, they are not the first to enter the conceptual grasp, but accompanied by a not clear image. The second characteristic of dance idols is that they have the sex category. In addition, dance idol has its own unique personality. But in today’s world, with the advent of the globalization era, on the one hand, people enjoy the benefits of a homogeneous economy; on the other hand, cultural homogenization infringes on cultural heterogeneity. Finally, dance idol is not an axiomatic feature. Besides idiosyncrasies, dance idols also have the characteristic that anyone who can present the idol in his own mind directly without witchcraft has found his own form. In fact, the artistic thinking of mankind has really reached a complete form in China. Chinese art most prominently reflects the idol characteristics of the situation in human thinking, and pursues the mastery of idols in the prescribed situations in the creation. This makes Chinese art creation And the ultimate purpose of the expression of thought has a unique feature - the mood.