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王润滋短篇小说《卖蟹》中的小姑娘形象,血肉丰满,呼之欲出。她童稚未脱,既单纯、天真、活泼,又聪慧、机智、善良。她带着大海的气息,水灵灵,湿漉漉,活脱脱,使人感到可亲、可爱、可敬。仅读一遍,便可给人留下难以忘怀的印象。小姑娘的形象何以能取得如此感人的艺术效果呢?这除了传神的肖像刻画,细腻的心理剖析,精彩的细节描写以及个性化的行为、语言描写之外,还由于作者成功地运用了衬托的手法,将正面描写与侧面描写有机地结合了起来。
Wang Runzi’s image of the little girl in the novel “Selling Crabs” was full of flesh and blood and was ready to come out. She was childish, not only simple, naive, lively, intelligent, witty, and kind. She takes the breath of the sea, the water, the spirits, the wetness, and the detachment, and makes people feel amiable, lovely and respectable. Reading it again will leave you with an unforgettable impression. How can the image of the little girl achieve such a moving artistic effect? Apart from the portrayal of the portrait, the detailed psychological analysis, the wonderful details of the portrait, and the personalized behavior and language description, the author also successfully used the background. The technique combines the positive description with the side description organically.