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几乎每一位大师走到人生都会以一部作品作为艺术生命的收束,无论以前跟世界多么对立和叛逆,最后的一挥手都显得平和而宁静。伯格曼黑泽明伊文思都以这样的方式与艺术作别,《芬尼与亚历山大》、《梦》和《风的故事》都不约而同的回溯往昔,与自然同止息,与世界握手和解。安东尼奥尼也是这样,他以82岁高龄再持导筒,在德国导演文德斯的帮助之下拍了《云上的日子》,以云端的俯瞰角度凝视人间的情欲爱恨,
Almost every master comes to life with a work as a collection of artistic life. No matter how antagonistic and rebellious the world was, the last wave of waving seemed peaceful and quiet. In this way, Bergman Kurosawa and Evangelism distinguish themselves from art. Both “Finney and Alexander”, “Dream”, and “Wind Story” coincide with each other in retrospect, with nature, and shake hands with the world. Antonioni is also the case, he was 82-year-old re-holding guide tube, with the help of German director Wendes filmed “the days of the cloud”, with a cloud view of the human gaze overlooking the erotic love and hate,