论文部分内容阅读
对于每一个从事中国画艺术实践的人来说,“师造化”与“师古人”犹如人之两足,缺一不可。前者为艺术创作提供了源源不断的灵感来源和母本参照,后者则是从传统中汲取前人成法,成为进入艺术殿堂的便捷门径。对于中国画艺术而言,“师古人”已经远远超出临摹本身的原初意义,它不仅是一种具体的技法学习,同时也是艺术家对中国画艺术特性的一种理解和体悟,并在此过程中完成对中国画艺术精神的文脉传承。临摹虽不具有原创性,却在中国画学习中具有重要
For each person engaged in the practice of Chinese painting, “Teachers of Science and Culture ” and “teacher ancients ” like two feet, are indispensable. The former provides a constant source of inspiration and mothers’ reference for artistic creation, while the latter draws on the tradition of drawing on the precedents and becomes a convenient gateway to the art palace. For the art of Chinese painting, “ancients” has gone far beyond the original meaning of copying itself. It is not only a concrete learning of techniques, but also an understanding and comprehension of artistic characteristics of Chinese painting by artists, and in this process In the completion of the artistic spirit of Chinese painting heritage. Although copy does not have originality, but in Chinese painting is important in learning