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唐代著名书法理论家孙过庭在《书谱》中谈到习练书法有三个阶段:“至如初学分布,但求平正:既知平正,务追险绝;既能险绝,复归平正;初谓未及,中则过之,后乃通会,通会之际,人书俱老。” 老,在这里是指炉火纯青,精于其事,熟练老道之意。人书俱老,表明在长期的书法习练过程中,书法艺术与人的性格情志同步完善,都达到了圆满的境界。我们今天已经知道,人的健康是由身心两方面组成的,而且这两个方面又相辅相成。性格情志的完善即指心理健康,故而古今书法家多长寿。唐代的欧阳询活到85岁,虞世南活到81岁,柳公权活到88岁;明代的文征明活到90岁,董其昌活到82岁;现代的苏局仙、孙墨佛等,都寿颐百岁以上。 从字面上理解,孙过庭讲的是书法的分布格局问题。初学书法的人,在分布格局上往往有刻意追求的雕琢之痕。一开始是力求写得中规中距,一笔一划都不敢
Sun Tingting, a famous calligrapher in the Tang Dynasty, talked about the practice of calligraphy in three stages: “To begin as a beginner, but to seek truth from facts: At the beginning of the first less than, in the past, after the Tong will, the occasion of the meeting, all the books are old. ”Old, here refers to blaze, proficient in the matter, skilled road meaning. All the books are old, indicating that in the long process of calligraphy practice, the art of calligraphy and the simultaneous improvement of human emotions, have reached a satisfactory state. As we already know today, human health is composed of both physical and mental health, and these two aspects complement each other. The improvement of personality and sentiment refers to mental health, so ancient and modern calligrapher and more longevity. In the Tang Dynasty Ouyang inquiry live to 85 years old, Yu Shunan live to 81 years old, Liu Gongquan live to 88 years old; Ming Zheng Wenzheng Ming live to 90 years old, Dong Qichang live to 82 years old; modern Suju cents, Sun Mo Buddha, etc., Above age. Literally, Sun Chaoting talked about the distribution pattern of calligraphy. Beginners calligraphy people, in the distribution of the pattern is often deliberately sought after the carving marks. The beginning is to strive to write in the distance, a stroke are not dare