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十月九日、十日,台湾著名京剧演员、梅派再传弟子魏海敏在北京首次公演了梅派剧目《穆桂英挂帅》、《玉堂春》和《霸王别姬》。她的演出都是按梅兰芳大师当年的演出本来演的,而且都得到梅葆玖的悉心指导,受到普遍好评。《别姬》演毕,剧场休息,我遇到袁世海老师,我不由得问道:‘袁老师,当年您曾与梅先生合演过《别姬》,还同李世芳、杜近芳、梅葆玖一起演过,对这出戏您最有发言权了。希望能听到您对魏海敏演出的评价。’袁老谦虚地说:‘我今天是观众;也是来学习的。海敏这出戏演得很好,非常规矩,不温不火,很是难得。比如项羽败阵回营,海敏的虞姬出帐迎接,在项羽的身上由上到下注视,那关心备至的样子演得很细致、很有感情。当年梅兰芳先生就是这样演的。观众可以从眼神中感受到英雄与美人之间的真情厚谊,为后面的别姬做了铺垫。这也说明葆玖教得细,海敏演得准。她的舞剑也很见功夫,而且舞出了人物的心理变化。这出戏的舞剑之所以
On October 9 and October 10, the well-known Taiwanese opera singer and Mei Mei’s re-enlisting disciple Wei Haimin staged their first Meipi repertoire, Mu Guiying Marshal, Yutang Spring and Farewell My Concubine in Beijing. Her performance is based on the performance of Master Mei Lanfang that year had been performed, and have been carefully guide Mei Baojiu, by universal acclaim. “My Concubine” was completed, the theater was resting, and I met Yuan Shihai. I could not help asking: ’Teacher Yuan, you had a concert with’ Bie Ji ’with Mr. Mei and you played together with Li Shifang, Du Jinfang and Mei Baojiu You have the most say in this play. Hope to hear your evaluation of Wei Haimin. Yuan Lao modestly said: ’I am the audience today; also to learn. Hai Min this play is very good, very rules, tepid, it is rare. For example, Xiang Yu defeat back to the camp, Haemin Yu Ji account to greet, in the body of Xiang Yu from top to bottom gaze, it looked prepared to look very meticulous, very emotional. This is the performance of Mr. Mei Lanfang. The audience can feel the true friendship between the hero and the beauty from the eyes, paving the way for the back of Farewell Concubine. This also shows that Pao Jiu teach fine, Haimin play accurate. Her sword is also seen Kung Fu, but also danced the psychological changes in characters. The reason why this play’s sword dance