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一不管是早期的版画,还是这些年来的油画,抑或是近年来的国画,大自然风景、山水、花鸟,诸如此类,始终是王劼音艺术创作的母题。大自然作为审美对象,在王劼音的眼里,通过自己的文化积累和审美活动,发现、唤醒和照亮了大自然的美,使它从客观的物象变为主观的表现,包含着人文意蕴的审美内涵。审美就是发现,发现就是创造。王劼音的作品,有时尽管仍保持着
Whether it is early printmaking, painting over the years, or painting in recent years, natural scenery, landscapes, flowers and birds, and so on, it has always been the motif of Wang Yao’s artistic creation. Nature, as an aesthetic object, discovers, awakens and illuminates the beauty of nature through its own cultural accumulation and aesthetic activities in the eyes of Wang Ying, making it change from an objective object to a subjective object, embodying humanistic implication Aesthetic connotation. Aesthetics is discovery, discovery is creation. Wang 劼 sound works, sometimes though still maintained