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本文在張健考證“《滄浪詩話》非嚴羽所編”之結論基礎上,繼續追究所傳該著文本的來歷,藉以重建嚴羽詩學著作生成及早期傳播的歷史。一是通過具體解析其並不均質的文本結構以及《詩人玉屑》分門類編的商業化製作,推證嚴著詩辯、詩體、詩法、詩評、詩證的構成方式,或即來自最早以如此構架收録嚴作的魏慶之是書。一是觀照嚴羽所處的時代,作爲傳播中介的書坊編刊者與以更爲廣大的中下層創作者爲主體的讀者構成的龐大詩歌消費市場已經形成,故考述嚴氏詩學著述正是在宋元間這樣一種文學生態環境中,主要以“詩法”的面目被傳播。
Based on the conclusion of Zhang Jian ’s “Canglang Poetry” and “Yan Yan Yu’ s novels”, this paper continues to investigate the origin of the text of the biography, in order to rebuild the history of Yan Yu ’s poetics and the early spread. First, through the specific analysis of the text structure is not homogeneous and “poet jade pieces,” the sub-categories of commercial production, conclusive evidence of strict poetry, poetry, poetry, poetry, poetry constitute the way, or Wei Qingzhi from the earliest to contain such rigorous framework is a book. First, when we look at the era in which Yan Yu lived, the huge consumer market of poetry consisting of book publishers who are intermediaries of communication and those who have a wider audience of middle and lower-level creators as their main body has been formed. Therefore, Is a kind of literary ecological environment between Song and Yuan Dynasties, which is mainly spread in the face of “poetic law”.