《美术三十六计》节选

• 作 者: 周京新
• 机 构: 南京艺术学院
• 出 处: 美苑
• 发表日期: 2001年03期
• 关键词: 三十六计 造型观念 水墨写意 人物形象 把刀 虚里 心里有数 临危不乱 照抄照搬 中有

瞒天过海 画里想说的话再怎么自以为感人至深，都犯不着卖力气去明说。因为画里的话总是明的不如暗的，实的不如虚的，明的实的往往牵强；是显山露水的皮毛货；暗的虚的才有余地，能不知不觉的扣人心。 借刀杀人 人物形象在画里时常是个麻烦，搞得太“真”不成画，搞得太“假”

Hidden in the sea picture to say how to think deeply touching, are not guilty of effort to say. Because the words of the painting are always better than the dark ones, the real ones are not as good as the imaginary ones, and the real ones are often far-fetched ones. They are the fur goods that show the dew; there is room for dark imaginations, unknowingly attractive. Rebels murder figure in the picture is often a trouble, and made too “true” not painting, and made too “false”