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7月17日至7月25日,由沈阳市文化局、《文艺研究》编辑部、《戏曲研究》编辑部、《新剧本》编辑部联合主办的第二届全国戏剧美学研讨会在沈阳举行。来自全国各地的、以中青年为主的戏剧理论工作者60余人参加了会议。与86年珠海会议相比,此次研讨显示了戏剧美学研究的进一步深入,同时也产生了许多新的困惑。关于戏剧思维一些与会同志集中地探讨了戏剧思维问题。有的同志指出:对戏剧思维的研究,可能是戏剧美学研究进一步深入、创作实践进一步发展的新的起点和突破口。就戏曲而言,40多年来我们所取得的那些并不令人满意的理论成果,尚待寻找一个途径进入到生动的
From July 17 to July 25, the 2nd National Aesthetics Theater Symposium co-sponsored by Shenyang Culture Bureau, Editorial Research Department, Editorial Research Department and New Script Editorial Office was held in Shenyang . More than 60 theatrical theorists from all over the country attended the conference. Compared with the Zhuhai conference in 1986, this study shows the further study of drama aesthetics and many new puzzles. About Theater Thinking Some participating comrades focused on drama thinking. Some comrades pointed out: The study of dramatic thinking may be a new starting point and a breakthrough in the further study of drama aesthetics and the further development of creative practice. In terms of drama, the unsatisfactory theoretical results we have achieved over the past 40 years have yet to find a way to enter into a vivid