论文部分内容阅读
众所周知,具象绘画创作的终极目标并不是为了简单地描摹客观现实,也绝非止步于绘画技艺的炫耀,而是体现更为深刻的思想精神和文化层面的价值探求。以“艺术”为立足点,具象绘画创作的内容与形式以一种什么样的方式完美结合,一直是美术院校的教学难题。笔者提笔之时,又值一年毕业季,全国各大美术院校绘画专业学生毕业作品展均已陆续举办,通过微博、微信公众号、线上展览等等多种渠道向社会汇报教与学的成果。这些大量的作品其青春热烈自不待言,年轻学子的活力得以淋漓尽致地体现。但是遍览这些作品,基奉都可归结为几种固化的面貌类型,如流于浮表的政治波普;到此一游式的下乡写生;古典绘画与当代题材的简单嫁接等等.
As we all know, the ultimate goal of figurative painting is not simply to depict the objective reality, nor is it just a show off of painting skills, but a deeper ideological and cultural exploration of value. Taking “Art ” as the starting point, the perfect combination of the content and form of figurative painting in a kind of way has always been a difficult problem for art academies. When the author mentioned the pen, the value of one year graduation season, major art colleges and universities in the painting graduates exhibition have been held one after another, through the Weibo, WeChat public number, online exhibitions and other channels to teach the community to teach Achievements and learning. These large number of works of their youth, not to mention the enthusiasm, the vitality of young students can be vividly reflected. However, through these works, Bong Bong can be attributed to several types of curing, such as the political pop in floating table, the sketching of the countryside to this tour, the simple grafting of classical paintings and contemporary themes, and so on.