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在一些报刊杂志上,经常能看到指责影片某些细节,以至人物服饰、布景道具失实的文章。笔者以为电影评介工作中的这个问题值得引起注意。诚然,指责影片存在的某些枝节问题,并非一概没有积极意义。对包括电影艺术在内的叙事性文艺作品来说,细节描写的真实性,有时直接关系到整个艺术形象的真实性,因而也就关系到影片的感染力量与思想艺术成就。这种细节,乃是作品艺术大纲的一丝一缕,它与影片故事情节的展开、人物形象的塑造息息相关,血肉相连。对于这种细节的分析考察应该成为电影评介内容的一个方面。但是,每部影片里也都有或多或少与整部作品的主题、情节、人物关系不甚密切的细枝末节,比如某一道具反映时代失误,演员某一服饰有失身分,等等,
In some newspapers and magazines, you can often see some of the details of the film accused, as well as costumes, scenery props inaccurate articles. I think this issue in movie review deserves our attention. It is true that some of the stubs that blame the film exist are not without any positive meaning. For the narrative literary and art works including movie art, the authenticity of the detailed description is sometimes directly related to the authenticity of the whole artistic image, and thus to the infectious power of the film and the artistic achievements of the thought. This kind of detail is a trace of the artistic outline of the work. It is closely linked with the development of the story of the film, the characterization of the characters, and flesh and blood. An analysis of such details should become one aspect of the film’s review. However, there are also minutiae in each movie that are more or less closely related to the theme, plot and characters of the whole work. For example, a prop is a reflection of errors of the times, an identity of a performer is lost, and so on.