论文部分内容阅读
为了比莉·哈乐戴的歌声,世界应该再造一座城市。爵士是属于城市的,时光漂流在城市里,有一种叫蓝调的音乐会去打捞它们。“黑色的身体在南方的阴影里摇摆,奇异的果实从杨木上垂下来”这是比莉·哈乐戴《夏日时光》中的歌词,词句在此(在音乐中)已经失去实感,一个黑色的女人——她竟然真的唱出黑色的歌声——让时间或者季节这些抽象的概念显示了奇异并真实的遥远和虚无。比莉·哈乐戴是被引用的,她美艳的脸,她独特的唱法,她的美妙的歌声反而像一种背景。每个人似乎都想在其中烙印下什么,作为村上春树等系列当代名流的精神流亡偶像,她甚至成了一种航线或者天气。比莉·哈乐戴再造了包围着城市的复杂气质。
For Billy Harlequin’s song, the world should recreate a city. Jazz belong to the city, the time drifting in the city, there is a concert called blues to salvage them. “Black body swaying in the shadow of the South, strange fruit hanging down from poplar ” This is the lyrics of Billy Harmony Daylight, the words here (in music) have been lost Reality, a black woman - she actually sings a black song - makes these abstractions of time or season a bizarre and real distant and nothingness. Billy Harlequin is quoted, her glamorous face, her unique singing, her wonderful song instead of a background. Everyone seems to want to be imprinted under what, as Haruki Murakami and other contemporary celebrities spiritual idol, she even became a route or the weather. Billy Harleigh recreates the complex qualities that surround the city.