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塞尚,高更,梵高——“印象主义之后”的三位画家中,我少年时期热爱的是梵高。学习艺术,往往是从模仿艺术家的行为开始的。梵高穷得只能吃土豆,我也就不吃巧克力。人近中年,我开始对塞尚的绘画有了兴趣。梵高是急不择言,塞尚是遣词造句。而我对高更却一直是吞吞吐吐、欲言又止的。高更也好像就是吞吞吐吐、欲言又止的样子。高更去塔希提,并不像常说的那样,是对欧洲文明厌倦后的摆脱。起码开始并不是如此。他去塔希提,主要还是生活所困,而法郎在塔希提比在巴黎更像是法郎。还有就是他喜欢女人,塔希提有一句话:“没有女人的男人就不是真正的男人。”在《两名塔希提妇人》一画中,高更把土女画成两棵树的样子。一个土女手托木盘,高过腰际,让人产生幻觉,她的乳房
Among the three painters of Cezanne, Gauguin and Van Gogh - after Impressionism, I loved Van Gogh in my youth. Learning art often begins with imitating the artist’s behavior. Van Gogh is poor and can only eat potatoes, I also do not eat chocolate. Near middle age, I started to have an interest in Cezanne’s painting. Van Gogh is reluctant to speak, Cezan is to send words. And I have been on the Gauguin Hugh, spit and go. Gauguin also seems to be voracious, unspeakable. Gaudí’s visit to Tahiti did not, as is often said, get rid of the tiredness of European civilization. At least not at all. He went to Tahiti mainly to life, but the franc in Tahiti is more like a franc in Paris. There is also he likes women, Tahiti there is a saying: “no man is not a real man. ” In the “Two Tahitian women” a painting, Looks like a tree A native woman care wooden tray, high above the waist, people have hallucinations, her breasts