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在“复仇”母题的驱使下,哈姆莱特走的不是拿起刀剑的行动,而是在自己无休止的思想矛盾中生活、苦闷、忧郁、思索,是没有“复仇”的行动。如果说这是由于他的软弱、力量弱小,不如说他的行动有很多的禁忌,即不可为的限制。这禁忌来源于16至17世纪初英国社会的宗教生活、理性生活和法制生活的影响。当然,影响哈姆莱特行动力的因素很多,但有一点我们必须认识到,莎士比亚生活的时代是一个文化转型的时代,西方文化传统就是在这种文化焦虑的过程中形成的。
Driven by the motto “revenge,” Hamlet is not going to take the sword, but to live, grieve, melancholy, and ponder in his never-ending ideological contradiction, without “revenge.” action. If this is due to his weakness and weak power, his actions have many taboos, that is, impossible restrictions. This taboo stems from the religious life, rational life and legal life of British society from the 16th to the early 17th century. Of course, there are many factors that affect Hamlet’s mobility, but one thing we must realize is that the era of Shakespeare’s life is an era of cultural transformation in which Western cultural traditions were formed.