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春秋以后的青铜器上,出现了许多图像内容。在一些日常生活用具如壶、鉴、杯等上面有许多栩栩如生的生活画面,或针刻、或雕铸、或嵌错,图像一般是带状分层展开,以宴乐、攻战、采桑、戈射等内容为多。有的资料称之为画像纹,有的资料称之为燕乐狩猎纹,也有的称之为攻战纹,为叙述方便,我们姑且统称之为宴乐桑猎画像。郭沫假在谈到这一风尚时说:“有镶嵌错金之出现,有羽人飞兽之跃进,附丽于器物之动物,多用写实而呈生动之气韵。”这些写实性很强的青铜画像,不啻为我国古代青铜器
After the Spring and Autumn Bronze, there are many images. In some daily life appliances such as pots, jars, cups, etc., there are many lifelike pictures of life, or needle engraving, or carved cast, or embedded in error, the image is generally ribbon layered to banquets, , Ge radio and other content as much. Some information is called the portrait pattern, some of the information is called the Yanle hunting pattern, and others are called the attack pattern. For the convenience of narration, let’s tentatively call it the portrait of the feast. When talking about this fashion, Guo Mo-fake said: “There are mistakes inlaid with the emergence of feathers flying animals, attached to the animals in the utensils, the use of realism and vivid charm.” These highly realistic bronze Portrait, not for my ancient bronze