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《红楼梦》的创作,是中国文化史乃至人类文化史上的一件盛举。作为18世纪中国社会生活方方面面的恢宏画卷,是封建意识形态的总结。《红楼梦》的虚构性质与自我叙述之间存在着密切关系。通过对宝玉性格的描述,体现了曹雪芹对程朱理学的反抗和对自由个性的追求,鲜明地体现着对李贽“童心说”的接受。以塑造现实生活中存在的个性解放的人物为手段,藉以表达作者的个性自由思想。以梦的结构来加以预先设定文本中的事件时间。叙述体系的复杂性、混杂的指向以及宗教意识的影响等是《红楼梦》思想的主要局限。
The creation of “Dream of Red Mansions” is a grand event in the history of Chinese culture and even in the history of human culture. As a grand picture of all aspects of social life in China in the 18th century, it is a summary of feudal ideology. There is a close relationship between the fictional nature of “Dream of the Red Chamber” and self-narration. The description of Baoyu’s character embodies Cao Xueqin’s resistance to Cheng-Zhu Neo-Confucianism and the pursuit of free individuality, which clearly embodies the acceptance of Li Kui’s “innocence theory.” In order to shape the characters in real life emancipation as a means to express the author’s idea of individual freedom. The structure of the dream to be pre-set in the text of the event time. The complexity of the narrative system, the mixed point and the influence of religious consciousness are the main limitations of the thought of “A Dream of Red Mansions”.