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安顺地戏是一种以驱邪酬神为目的的原始剧种,缘起于原始舞蹈和仪式,目前主要流传在贵州省西南部安顺一带。本文旨在通过对安顺“地戏脸子”制作工艺的表层剖析引申出一系列文化价值和艺术价值,弘扬我国民间传统艺术,鉴以引发更深的思考和研究。安顺“地戏脸子”从明朝初期逐代流传至今,已有六百多年历史。作为中国戏剧史上的“活化石”有着极其重要的研究价值,亦是十分珍贵的民间艺术品。通过其制作工艺形式和类别的分析,阐明出其独特的艺术魅力,从而让人们认识到我国博大历史文化背后源源不断的一片生机。
Anshun is a primitive play that aims to exorcise evil gods, originating in primitive dances and rituals, and is now mainly spread in the Anshun area in the southwestern part of Guizhou Province. The purpose of this paper is to extend a series of cultural values and artistic values through the analysis of the surface of Anshun ’s “play face ” production process, carry forward our traditional folk art, and bring about deeper thinking and research. Anshun “play face ” From the early Ming Dynasty spread from generation to generation, has more than 600 years of history. As the “living fossil” in the history of Chinese drama, it has extremely important research value and is also a very precious folk art. Through the analysis of its production process forms and categories, it expounds its unique artistic charm so as to let people realize the endless vitality behind the broad historical culture of our country.