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当代水墨画已经被推到共时性的语境之中,参照系统基本上是西方现代主义的经典规则。实质上,水墨的当代性也是一种匆忙的现代主义必然过程,其主流是通过西方抽象绘画的艺术史来拯救水墨画在当代的困境。 我注意到美国当代画家中,几位画家的作品很值得我们参考。布莱士·马登将一条一条线的分解、整合,通过线的复杂变化、结构关系的有机运用,逐渐在视觉上浸润着肉体的暗喻,意味深远。而马克·弗瑞卡斯的点和点的组合造成上下浮动的精神恍惚,使人深受形而上的折磨,强烈的身不由己,而他的绘画制作之精良,为我们提供了在元语言运用上的一种新的讯息。简·斯浦
Contemporary ink painting has been pushed into a synchronic context, and the reference system is basically the classic rule of western modernism. In fact, the contemporary nature of ink and wash is also an inevitable process of haste and modernism, and its mainstream is to save the contemporary dilemma of ink and wash through the art history of western abstract painting. I noticed that among the contemporary American painters, the works of several painters deserve our reference. Brethren Madden will be a line of decomposition, integration, through the complex changes in the line, the organic use of structural relationships, gradually infiltrating the visual metaphor of the body, meaning far-reaching. However, the combination of the points and the dots of Mark Fricaska caused the upper and lower trance to be traumatized by metaphysics, which was intensely involuntarily. His fine production of paintings provided us with the meta-language application A new message on. Jane Si Pu